Showing posts with label portraits. Show all posts
Showing posts with label portraits. Show all posts

Tuesday, August 25, 2015

Hedy Lamarr, A Woman who Changed the World

I finished the first painting of the series of Women Who changed the World. I started with what I thought might be the most challenging, because she is so beautiful. Young, gorgeous women are not as much fun to paint, but I do like challenges.

Hedy Lamarr





Hedy Lamarr

Athough better known for her Silver Screen exploits, Austrian actress Hedy Lamarr (born Hedwig Eva Maria Kiesler) also became a pioneer in the field of wireless communications following her emigration to the United States. The international beauty icon, along with co-inventor George Anthiel, developed a "Secret Communications System" to help combat the Nazis in World War II. By manipulating radio frequencies at irregular intervals between transmission and reception, the invention formed an unbreakable code to prevent classified messages from being intercepted by enemy personnel.

Lamarr and Anthiel received a patent in 1941, but the enormous significance of their invention was not realized until decades later. It was first implemented on naval ships during the Cuban Missile Crisis and subsequently emerged in numerous military applications. But most importantly, the "spread spectrum" technology that Lamarr helped to invent would galvanize the digital communications boom, forming the technical backbone that makes cellular phones, fax machines and other wireless operations possible.

As is the case with many of the famous women inventors, Lamarr received very little recognition of her innovative talent at the time, but recently she has been showered with praise for her groundbreaking invention. In 1997, she and George Anthiel were honored with the Electronic Frontier Foundation (EFF) Pioneer Award. And later in the same year, Lamarr became the first female recipient of the BULBIE™ Gnass Spirit of Achievement Award, a prestigious lifetime accomplishment prize for inventors that is dubbed "The Oscar™ of Inventing."

Proving she was much more than just another pretty face, Lamarr shattered stereotypes and earned a place among the 20th century's most important women inventors. She truly was a visionary whose technological acumen was far ahead of its time.


When I posted this painting on FaceBook, several people thought it was Ava Gardner. That is understandable, since the publicity shots were retouced by hand, long before photo shop, and the flat makeup and strong black eyebrows, heavy false eyelashes and red lips looked pretty much the same. Ava's eyes were brown and Hedy's were green, but the makeup looked similar.

Ava Gardner





Wednesday, July 29, 2015

Catching Up and Weeding Out


After almost 5 days without an Internet connection at home, I have a lot of online things to catch up with. With the down time I had, I have been going through older paintings in the stacks and photos on the computer. Time to weed out what is not worth keeping and re-visit the paintings that I am pleased with.

Here are some paintings that I pulled out of the stacks:
My first encaustic portrait, done about 10 years ago


The above painting was made over an older abstract one from my color and surface work. I did it quickly and I still like it, Perhaps I should use older abstracts as the under painting of more figurative work. What do you think?

This is from a series I made about 10 years ago also. I collaged photos of San Miguel with ancient Mexican symbols that I carved into the encaustic. 


I have several paintings left from the above series. All that carving left my fingers hurting.


These 2 are a diptych, "The Magnet" I was surprised that they didn't sell. I can't guess what will appeal to collectors.

"The Mask", encaustic on board, about 2009, 100 x 80 cm

Tuesday, May 20, 2014

Do I add encaustic, or not?

I am getting closer to what I want: loose, strong brush strokes, little blending and a fresh look. I can make traditional portraits, but I want something that is "now"

I stopped with this painting before I got too picky. I am going to leave it alone for a couple of days to see if I want to add encaustic to it or leave it just as it is; an oil paint sketch.

What do you think?

Wednesday, August 28, 2013

No more on this one.

That's it on this one. I am taking a break from the studio and going on a 3 days trip to Puebla, and surroundings.

After all the weeks of work putting together the online classes, the portrait was a nice break, but painting a toddler skin was tricky for me. An older adult is much more interesting.

Thursday, August 22, 2013

portrait 3rd day

I am out of practice with portraiture and I feel there is not enough contrast in the face but I need to move on.
I will change the arm position and lighten the background and see how that looks.

Tuesday, March 12, 2013

 I am beginning work on a new book, "How to Paint Portraits in Encaustic"
I Open My Hands and Let Go

My God Has Been Too Small

Blessed Am I Among Women
While thinking about the format, I pulled out some old figurative oil paintings that I made about 17 years ago. I feel they still hold up. They were part of a series I called "Her Journey" each piece tells a story about a woman's personal journey to self-realization and wholeness. The collaged borders continue the narrative.

If you are interested in my memoir,  "Fireworks at Dawn", an Artist's Memoir. It is available for download at Amazon books,