When I was a freshman in the University of Illinois, majoring in art, we had to spend the first semester drawing in black and white. We also worked from plaster casts and human skeletons. We kept drawing until the image was perfect. I loved it. One time I chose a dried corn cob to draw because it was the most complicated. I carefully rendered each kernel.
Later in my career, I was sometimes belittled because I could draw. One comment I received in a group painting from a live model was. "That looks just like the model!" And it wasn't a compliment. I suppose that statement was supposed to undermine my creativity. Another opinion, from an artist working in a gallery was a scornful pronouncement was that drawing isn't necessary to paint. My answer was that since I could draw, I could paint anything using the same principles , and he could only paint non-objectively.
This classical training has served me well. If you can draw, it is the basis of all future art creations.
More reasons to learn to draw: Wrtiten by Hessam Moussavi, Lead Civil Engineer - Oil and Energy professional:
Improved Creativity
Improved Memory
Improved Communication Skills
Improved Problem Solving Skills
Stress Relief
More Positive Emotions
Release of Hidden Emotions
Increase of Emotional Intelligence
Improving the Senses
Better Hand Mobility
Becoming More Observant of Details
I particularly agree with the last one: Becoming More Observant of Details, and I know it improves hand-eye coordination.
The images below prove that I am not stuck with just drawing realistically. I use everything I know about space relationships and composition that I learned in my classical training.
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| A pencil drawing done when I was 18 years old in my first year in art school |
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| Oil and Cold Wax Abstract |
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| From the "Her Journey" series |
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| Encaustic and Oil |
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| Cover of a Magazine |
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| Seated Nude, Encaustic |
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| Latest series, "The Lightness of Being" encaustic and mixed media. |
