I have been enjoying working in cold wax and oil and found that I it allows me to feel free and more spontaneous. I am not sure why that is, but perhaps being able to work upright through the whole process in cold wax gets me into a rhythm, rather than having to work flat most of the time with encaustic. I do put the encaustic paintings on the easel for better viewing, but most of the time I fuse when the painting is on a table.
Of course the end results of the surfaces of the two techniques are different. The finish of an encaustic painting is sensuous and I can't resist stroking it. I just finished an encaustic diptych after working for weeks with cold wax and oil and found that by using the same unrestricted primary under painting with the hot wax, I felt unconfined and that the pulse of painting moved like a dance.
I start a cold wax painting with wide sweeps of acrylic paint. With the latest encaustic work I started with wide brushes and oil washes.
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Beginning of a cold wax painting; acrylic under painting |
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finished cold wax painting - not the same one as the beginning shot above, |
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Under painting in oil |
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encaustic and charcoal |
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finished diptych |
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